“Write a Map of Your Spiritual Journey”


“Write a Map of Your Spiritual Journey”

But childhood was not a plateau,
birth was not a low point
from which all other points
arose; childhood is not a bar graph
or a Gantt chart,
nor is it a star chart
of comparative brightness:
it is the soul’s bright geography,
the dark woodlot where my sister terrified
me with a headless snake
still writhing toward me
fifty years later.

Do you remember the place on the hill
toward which all people
streamed for twenty years
that flashed green and bright
as the Emerald City
then snuffed out
as if it had never been?

The soul’s journey has
her animal companions,
the repetitive landscape
of nightmare and dream,
murky with memory.
This journey needs a map
with rivers that run underground,
that run backward through time,
that loop through
reconsiderations,
love affairs that blossomed and fell from the tree,
evenings that dazzled,
trees that burst into flame still standing as
landmarks in a burning swamp
where St. Elmo’s blue breath
throws the antique shadows of ibis
into time’s rippling stream.

If we speak of maps dangerous
as these, you must know there is a man
holding three fingers in warning;
there is a crossroad almost unseen
out of the corner of your eye.
This is populated wilderness—
even the desert has its signs of banded gold,
as sand shifts down into the dune
of geologic time.

My hair has stood on end
in an electric wind.
The sealstone on my wrist tells a story.
Helen, the world’s treasure,
has spoken personally to me, and I
have tried to turn her away.
I follow my own dreams—
a silver fox, a golden dog,
a woman named Nightwinds,
and a soul boat on the River of Stars.
I have been stopped by barriers of height and stone,
by fire and snake.

I have been known to turn
reasonably away, and thus
a map is shaped, some neat
and faded label re-inked,
strengthened on the page:
“Here lies true north,”
and south–I’ve been there,
to the east, memory,
to the west, terra incognita,
the calling land
and the road ahead.

–Sandy Jensen

Three Dolls and a Horse

In the hour between Should and Would,
three dolls dance
and a spotted horse with a lightning bolt tail
reaches his neck in a twisty gallop
to taste the streaky meteors
hissing out of the Persiad
to pepper his pasture with stars.


Frida Kahlo Doll dances
with pain in each small bone—she
is all wires and screws
and insistence on free will.
She would call the Silver Fox
and trap its face in a necklace
woven of wild rose thorns.

Snow Kachina dances his own
culture’s dream of rain or change,
blessing or corn,
healing or chance. His eyes
are black slits, his costumed
art elaborate.
He has something to say about
exigency, but I don’t know
what it is.

Sandy Doll smiles and smiles:
she thinks she has
all the answers.

–Sandy Jensen

The Old Glen Ivy Inn

The Old Glen Ivy Inn

I lived in an old inn
whose balconied stories
rode the heaving surf of the hillside
like a tall ship with many masts,
square-rigged,
riding at anchor
above the valley floor.
Old-fashioned windows hinged
like wings you could shove open
to the winking moonlight. Gables
gave portholes to the ragged roofline,
and there was something in the way
the bow breached the air
over the hill that made the old
home seem to hove to and rock
in the wind. Hundred year old
Washington Palms rattled
their dry skirts and slid their slim
gray hips from side to side
like old hula dancers
who never forgot their moves.
A pair of white owls flew
up out of the dark, perched
on the top balcony’s high
rigging, then sailed off, their twin
faces holding the moon.
In those days, I often
kept the dawn watch,
that still, dark hour when the cool
mountain breeze flowed downhill
and rocked the great ship in its arms,
before the sun struck my windowpane
with its hammer blows of gold.

–Sandy Jensen

Ruby Heart

Ruby Heart

If she were a mountain,
she’d be Diamond Peak,
sharp-edged and cold,
sea to her west,
continent to her east,
face to the northern wind,
California has her back.
If she were a song—
play her name on an Indian flute,
fiddle her home to grandma,
fill her up with lilt and longing,
call her “Song for a Daughter.”
If she were a time of day,
sunset would dry her tears
and paint her arms
with the spindrift tattoos
of the scarlet surf.
If she were a river,
she’d flow green and slow
as the Siuslaw,
shadowed by cedar,
dreaming of spring Chinook,
flickering trout
where her hair waterfalls down.
If she were the heroine of a film,
she would ride a camel
around the world, find
the ruby heart of the world
and bring it home to you.

–Sandy Jensen

Art – a Solstice Poem – 2008

Art

Where does art come from?
Who has the ideas –
whose hand moves the vermillion brush
running into green-gold skies?

Who is it that loves water
and a glaze so sheer it
shimmers with melting light?

Who is in love with the tender line,
the blackest storm and the crack of light?
It is me and more than me-
the hand of God loves art.

I bow my head,
stand slightly aside –
hands, brush, heart.
we wait.

Cheryl R. Long
Solstice December 21, 2008

Dream Mandalas

Dream Mandala of My Father Entering the Museum of the Dead. Mom and Me at a Cafe in Paris, One Empty Chair, Both Sun and Moon

Dream Mandala

December 3, 2008
(From a in-class exercise in my Linfield College Creative Writing class Fall 2008. We tracked our dreams all semester, then chose one particular image to express in a mandala and a write.)

Pothole
May 18, 2008

Peter and I are driving in our Subaru on a local highway—I am at the wheel. The asphalt begins to get rough, so I low down. There’s plenty of traffic, all slowing. Some people are driving off the road out into the fields, apparently on detour.

Now we see why: an enormous impact crater has destroyed the road. The river has run into it, filling it with deep and dangerous pools. This isn’t a pothole you can drive across, although we see people driving out on dead end ledges, unable to get back.

I propose one route, but Peter points out the steep drop on the other side. He gets out to look around and goes to talk to someone. An official waves his arms and opens a way for my column of cars. I inch forward, thinking Peter will see me and follow, but the traffic and the crowds of people on foot increase and I lose sight of him.

On the other side, I pick up two men; one drives and the other sits in the back seat, and we inch along through traffic, then suddenly we’re passed the crater and moving free. But where is Peter?

“Stop! Go back! We have to find Peter! I order the man driving. My body is flooded wth urgency and anxiety.

“I’m not going back there! Hitchhikers have rights, too, you know! He replied, not slowing.

“Turn back! Turn back! I have to find Peter!” I beat on his muscled arm and wrench the wheel in a circle so that he is forced out the door, and I take over the wheel.

I turn back the way we had come, re-entering the chaos of the crater blast zone. People are milling around in a panic. I ump out of the car and try to find a familiar face or an official and finally spot someone. “Have you seen Peter? Do you know wich way he went?”

“Oh, yes,” she said, “I saw he ran into an old acquaintance of his, Glasses Larimer. They went off together.”

“Do you know where Glasses lives? Tell me!”

“Oh, if he went off with Glasses, you’ll never find him.”

I look again at the crater and its green, cold depths blocking the road.

Volcano Woman Refugia

Volcano Woman Refugia
December 1, 2008
(From a in-class exercise in my Linfield College Creative Writing class Fall 2008. We heard a tribal story about Frog Woman/Volcano Woman; we listed the images in the story and chose one to draw; then we wrote from the persona of the image.)
This is an image of a mother and a daughter staring out of a cave in the mountains. They have taken refuge there against the erupting nearby volcano that is running rivers of fire down the valley and all around them. They are sitting out the fire. Everyone, life as they have known it, is being annihilated. But if they wait, they will atone the sins of their village to Frog Volcano Woman and be taken up under the wings of Eagle and join the Eagle People.

Volcano Woman sends forth
her rivers of fire like
slow-moving serpents with
red crystal eyes
as my mother and I hold our brilliant shawls
over our streaming hair.
We sit cross-legged in the doorway.
We are the last
of our clan.
Through the smoke
that blurs the morning sun,
we will see the Eagle.
One under each wing,
we will fly to a land
where the Eagle People
scatter lodges along
a river bank and we
will become them:
out of Fire–Flight.

College Girl Mermaid in her Christmas Sweater

College Girl Mermaid in her Christmas Sweater
December 23, 2008

These past couple of weeks, my mind has been a blank, a reflective surface bouncing light off winter snow. I awoke at 4:00 am thinking I should start drawing again to wake my Muse. As I drew, I understood that mind is in the head with glasses and soul is in the body, which swims in the sea of unconscious memories, dreams, desires.

Today I Open The Cage

Today I Open the Cage

Today I open the cage.
Cobras leave for their rightful home and
vultures will have to eat alone.

Today dead bees fall
heaped beside the abandoned hive.
Brittle black grit on snow.

Today, snow, bees, leaves.
Cold and dirt bury the dead
and also the living.

Tomorrow and far too cold, cherries bloom in snow.
Bees resume their ancient work
succulent and golden.

Cheryl Renee October 2008

Joy Packed Up and Left Today

Joy Packed Up and Left Today

Joy packed up and left today
or maybe she’s just hiding
cowering in a corner
waiting for high winds to pass.

She says I am an unsuitable host.
Although joy is my daemon
she hides from me today
hunched down, eyes slit, ears back.

She will come back on her own
like a calico cat invisible on her perch
she peers down calmly, sizing me up
looking for signs of clearing skies.

Cheryl Renée October 2008