Cosmic Being With Astral Body

This blot technique is revealing all kinds of layered strangeness. I saw this alien being immediately. Later I realized that if I turn it on its side it could have been a landscape with reflection in water.

But no, we see what we see and that is what makes this technique fascinating. Lately I am seeing these otherworldly creatures – right about the time I am feeling overly grounded and stogy. Be sure to scroll down to see the entire image. Is this a girl alien being or a boy alien being? Androgynous perhaps.

Kahlo Diary-esque

I also tried a new expressive technique this morning from a book Peter bought me called “Expressive Drawing” by Steve Aimone. It’s very Kahlo Diary-esque. You write a full page of narrative, journal entry–I did it in mixed black pen and watercolor pencil. Then you use paint to “reveal and obscure.” The handwriting acts as a unifying visual element.

This journal talks about umbrella walks in the the spring, cherry blossoms and daffodils, so all those elements ended up in the painting. The handle of the umbrella made  “J,” so I added my other initial, “S.” Certain words stand out from the texture of handwriting: the light, the light, brief, to hold on, to not forget, memory.”
Posted by Sandy Brown Jensen

Angelic Being of Light

This is a fascinating techique – a variation on scribble drawing to tap the subconscious. I folded my black paper, dropped in some Chinese white watercolor on one side, closed it and rubbed the back, then dried with a hair dryer. Draw as usual with colored pencil.
I have a strong sensing that this is a specific entity and she has something to do with Nancy Rose. Maybe Rose will recognize her.

Van Gogh’s First Drawing.

“When Van Gogh was a young man in his early twenties, he was in London studying to be a clergyman. He had no thought of being an artist at all. he sat in his cheap little room writing a letter to his younger brother in Holland, whom he loved very much. He looked out his window at a watery twilight, a thin lampost, a star, and he said in his letter something like this: “it is so beautiful I must show you how it looks.” And then on his cheap ruled note paper, he made the most beautiful, tender, little drawing of it.

When I read this letter of Van Gogh’s it comforted me very much and seemed to throw a clear light on the whole road of Art. Before, I thought that to produce a work of painting or literature, you scowled and thought long and ponderously and weighed everything solemnly and learned everything that all artists had ever done aforetime, and what their influences and schools were, and you were extremely careful about *design* and *balance* and getting *interesting planes* into your painting, and avoided, with the most astringent severity, showing the faintest *acedemical* tendency, and were strictly modern. And so on and so on.

But the moment I read Van Gogh’s letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it.

And Van Gogh’s little drawing on the cheap note paper was a work of art because he loved the sky and the frail lamppost against it so seriously that he made the drawing with the most exquisite conscientiousness and care. ”
Brenda Ueland (If You Want to Write: A Book about Art, Independence and Spirit)